Title: Lonely Dove Author: Sonee Singh Genre: Contemporary Women’s Fiction
Anji felt it was her life’s mission to find her soulmate.
Anji is forty-one, single, of Indian origin, and grew up in Colombia. Now a successful journalist in New York City, she’s missing only love in her life. Then a vision reveals her soul mate; he calls her “lonely dove”-two words that describe her perfectly-but she cannot see his face. Determined to find this mysterious man, she draws on all her work and personal resources to find him.
As Anji embraces the signs and visions she receives, she discovers a need to heal from her past relationships. Will she ever find her twin flame-and will she be ready when she does?
“Anji had loved all things bright and beautiful, especially her beloved Bollywood movies and Latin American telenovelas, where the girl always got the guy of her dreams. Anji had spent her lifetime wishing, with every fiber of her being, for her happily ever after, certain it would happen when her soulmate appeared.
Now aged forty-one and still single, she thought of how gullible she had been to be conned by the idea of soulmates, much less to think she would marry the person. She had learned that life was filled with eternal struggles to find her soulmate. Her frustration reached a new level after she’d had that vision a couple of weeks before. That, and this meeting with Danny, felt like unnecessary provocations, the universe daring her to hold onto the childish notion.”
SONEE SINGH is a cross-cultural seeker of deep knowing. She is of Indian descent, born in Mexico, raised in Colombia, and resides in the United States. Sonee writes stories of self-discovery to encourage people to accept themselves and live life on their own terms. The mystical and spiritual are integral in her storytelling, as is her multicultural background.
When not traveling, reading, or writing, she indulges in meditation, yoga, and aromatherapy. She holds a Bachelor of Arts in biology and society, a Master of Management in hospitality from Cornell University, and a Master of Science in complementary alternative medicine from American College of Healthcare Sciences. She is currently pursuing a Doctor of Divinity from the University of Metaphysical Sciences. Sonee has published a collection of poetry, Embody, and has been published in two anthologies: Blessing the Page and The Colours of Me. She has multiple articles published in Elephant Journal.
Two widows, six kiddos, and a will that leaves them a massive cattle ranch, but only if they work it for a year.
Abigail and Amanda may have married brothers, but they have almost nothing else in common (and really, they never did get along very well). After their husbands both pass away, they have no reason to interact. Their connection drops to an awkward phone call on birthdays and an exchange of holiday cards.
Until an eccentric uncle of their husbands’ leaves a massive cattle ranch to the women’s minor children. . . if they work the ranch themselves. A ranch that’s located near a small town on the border of Wyoming that isn’t too keen on outsiders.
They’re both going to turn the bequest down, clearly. It’s not like either of them could properly raise their kids or find love again in a backwater province like Birch Creek. But when things at home change dramatically—for both moms—they decide to give it a try. . . just for the summer.
What could possibly go wrong in a mere three months? (Or more importantly… what might go right?)
I pay, and we’re out the door. It takes almost five minutes to get all the kids and all the groceries squeezed into the car, but with the sun setting, I’d rather not try and find a place to buy dinner. My son Ethan lets me pile him up with stuff, including a rather precarious stack of produce. At least no one argues with me or begs for McDonald’s. With four kids and more than fourteen hours of travel under our belts, it’s a small miracle.
“I’ll hurry,” I promise.
The sun has lit the entire sky an orangey pink by the time we’re cruising down the street off which the ranch is set. Ethan’s so excited that we’re close that he’s belting “On Top of the World” by Imagine Dragons. It’s making it hard to think, much less hear The Jetsons in the back.
“Cut it out,” Izzy says.
He ignores her.
“We’re almost there,” I say.
“Shut up, Ethan!” Whitney throws something—not sure what—that knocks the bag of apples sideways. They roll off Ethan’s lap and spill all over the center console. One rolls down into the floorboard.
“Guys!”
“Sorry, Mom!” Whitney says. “But Ethan won’t shut up, and I can’t hear.”
I slow way down so that I can grab the apple. I finally end up stopping in the middle of the road while I rummage around for it. I’m lucky this road has no traffic on it.
My hand finally wraps around the shiny, smooth skin. “Ha!” After I sit up again, I look around to make sure it’s clear for me to drive.
There aren’t any other cars, but there is a tall, shirtless man mowing the front lawn of a small white farmhouse. It may not be that warm outside, but his body still glistens with sweat. I can’t look away from the defined pecs, the bunched biceps, and the washboard stomach. Ohmygoodness, I’m too old to go entirely blank when I see someone who’s magazine centerfold hot. I’m sure he’s young enough to be—
But then he looks up, and I realize he’s not young at all. He’s close to my age. And he’s staring right at me staring back at him, and he has no idea I wasn’t staring at him the entire time we were stopped. My foot slams against the gas pedal and we shoot forward, but he waves in spite of my quick departure. I wonder whether this man who must be a relatively close neighbor could see through the window and might recognize my face. I really hope not.
The sun has dropped so low that there’s barely a golden glow when we crest the ridge and turn into the driveway my map is bleating at me to take, and my heart has finally settled down to a sustainable rate. “I think this is it, guys.”
Bridget loves her husband (every day) and all five of her kids (most days).
She’s a lawyer, but does as little legal work as possible. She has three quarter horse geldings, a Holsteiner (jumping) horse, and she spends too much time riding and not enough time writing. (Or too much time writing and not enough time riding, depending on your perspective!)
She has more chickens than she’ll admit to having, two lions head rabbits, a cat, two dogs (one bouncy and one yappy). She makes cookies waaaaay too often and believes they should be their own food group. In a (possibly misguided) attempt at balancing the scales, she kickboxes daily.
So if you don’t like her books, her kids, her horses, her chickens, or her cookies, maybe don’t tell her in person.
B.E. Baker is the romance/women’s fiction penname for Bridget E. Baker, who also writes fantasy, end of the world, and dystopian books that add a little magic to the world.
Margot’s unhappiness is contrary to what you might expect, considering that she lives in Paris and is married to a handsome, successful man she loves. However, as time passes, she feels more certain about her emptiness and realizes how little time her husband Arthur has for her. Finally, she decides to leave him, but then something changes. Not only does Margot not know her husband as well as she thought she did, but she also comes to see that she didn’t even know herself that deeply.
Margot’s life starts changing when she discovers countless new things about her marriage, which also reawakens old traumas.
But have these signs always been there?
Has Margot’s journey been waiting for her long before she became aware of it, and can her marriage be saved?
Margot is surprised to discover Arthur knew her much better than she ever thought possible.
